The attendees of the fourth Colloquium filled the space at High Wire Art to the brim. The art ranged from the very personal (Jennifer Ling Datchuk's delicate autobiographical pieces) to the community-based (Andy Benavides' art-supporting activism) to the very removed (Rob Ziebell's photos of another artist's airbrush reproductions of his photos); from the meticulous and controlled (Joey Fauerso's and Liz Ward's detailed, flowing watercolors) to the boisterous and defiant (Katie Pell's pimped out kitchen appliances).
—Artist Presenters—
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